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VFX SUPERVISION
Due to the massive amount of camera moves, and single day to capture it all, the pre-production schedule ran for two weeks. Ten days were blocking out camera moves within Red Studio’s 25,000sq ft Stage 1. All of the camera moves and lighting were programed over the course of two pre-light days (see the “stand-in” edit above), which resulted in a single day of production capturing all 13 talent during their limited times on set.
